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Daisies (1966) Vêra ChytilováDaisies (1966) Vêra Chytilová
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The Searchers (1956) John Ford
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A Zed & Two Noughts (1985) Peter Greenway
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Red Desert (1964) Michelangelo Antonioni
Bad Education (2004) Pedro Almodóvar
Chungking Express (1994) Wong Kar-wai
Black God, White Devil (1964) Glauber Rocha

Cinema Studies at Rutgers

Rhiannon Noel Welch

Professor Welch's webpage

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Assistant Professor

Ph.D., University of California - Berkeley, 2008
M.A., University of California - Berkeley, 2003
B.A., University of California - Santa Cruz, 2000
Joined Rutgers in 2012
Address: AB 5113 - 15 Seminary Place
Phone: 848-932-5193
Email: This email address is being protected from spambots. You need JavaScript enabled to view it.

Research Interests:

Nineteenth and twentieth-century Italian literature, film, and visual culture; Italian (post-) colonialism and biopolitics; race thinking and nationalism in Italy; critical theory; film theory.

Undergraduate Courses

  • Modern Italian Travel Literature (Twentieth-Century Italian Literature)
  • Introducing Italy City by City: Modern and Contemporary Rome
  • Contemporary Italian Cinema
  • Mafia Movies: Approaches to Genre in Italian and American Film
  • Cinema and Literature

Graduate Courses

Selected Publications

Books

Articles

  • "Time Out of Joint: Larsen's End of Dreams and Italy's 'Colonial Unconscious.'" Refugees and the Crisis of Europe. Special issue of Cultural Anthropology Hot Spots. Mayanthi Fernando, Cristiana Giordano, eds. (June 2016).
  • “Here and Then, There and Now: Nation Time and Colonial Space in Pasolini, Oriani, and Marinetti.” Italica 91:4 (2015), 625-653.
  • "Contact, Contagion, Immunization. Gianni Amelio's Lamerica (1994)." Italian Mobilities. Oxford; New York; Routledge Press, 2015: 68-87.
  • “Razza e (ri)produttività. Per una lettura biopolitica della razza nell’Italia postunitaria e contemporanea.” Cristina Lombardi-Diop and Caterina Romeo, eds. L’Italia postcoloniale. Le Monnier Mondadori, 2014: 77-90. 
  • "Race and Colonial (Re)productivity." Annali d'italianistica 32 (2014). From Otium & Occupatio to Work & Labor in Italian Culture. Norma Bouchard and Valerio Ferme, eds. 197-213.
  • “Intimate Truth and (Post)colonial Knowledge in Shirin Ramzanali Fazel’s Lontano da Mogadiscio. Invited contribution. J. Andall and D. Duncan, eds. National Belongings: Hybridity in Italian Colonial and Postcolonial Cultures. Italian Modernities, Vol 7. Bern: Peter Lang, 2010: 215-233.

Translations

Book. Roberto Esposito, Terms of the Political: Community, Immunity and BiopoliticsBronx: Fordham University Press (2012).

Annotated essay. Gabriele D’Annunzio, “On the Cinematograph As an Instrument of Liberation and An Art of Transfiguration.” Early cinema reader edited by Richard Abel.

Article. Silvio Alovisio, “Voices of Silence. The Scenario in Italian Silent Film,” translated with Giorgio Bertellini and Silvio Alovisio. Early cinema reader edited by Richard Abel.

Awards

  • Rutgers Centers for Global Advancement and International Affairs Global Urbanism Grant (2015)
  • Cornell University Institute for European Studies Faculty Research Grant (2010)
  • Cornell University Society for the Humanities - Mellon Postdoctoral Fellow (2008-09)
  • American Council of Learned Societies/Mellon - Dissertation Completion Fellowship (2007-08)
  • University of California Graduate Division Travel Research Grant (Summer 2006)
  • University of California Dean’s Normative Time Award (2005-06)
  • University of California (Berkeley) Institute of European Studies Merit Fellowship (2001-02; 2003)

Area Screenings

Film audience

Undergraduate

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News and Events

Movietown News

Contact Us

Cinema Studies Program
Academic Building, 4th floor
15 Seminary Place
College Avenue Campus
New Brunswick, NJ 08901
cinemastudies@sas.rutgers.edu